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The Kenneth Threadgill Concert Series
with

Billy Joe Shaver

Also Featuring Jack Ingram and Max Stalling
Saturday, November 13, 2004

For immediate release
Pictures #1, Picture #2

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Tender Mercies on an Outlaw Heart:
Billy Joe Shaver to Play Threadgill Series


When I think of Billy Joe Shaver I think of one of my favorite films, "Tender Mercies". Robert Duvall portrayed Mac Sledge, a gifted songwriter who wandered into the flat farm fields of Central Texas where he was taken in by a young widow and her son. They accepted his past, sobered him up, and introduced him to Jesus. The story showed us the passion between a man and his music and we watched as Duvall's character gained the courage to step back on stage only to be confronted with the untimely death of his only daughter.

It really surprised me when I learned Shaver and Duvall actually met several years after this film was shot. Shaver explained, "He came up to me after I had played one night at the Broken Spoke in Austin. He complimented me on my honky-tonk sound. I said Waylon made'em sound good. He nodded and said, 'what I heard tonight was the real thing'." Robert Duvall happened to be in town shooting "Lonesome Dove". They remained friends and Shaver was asked to do a bit part in Duvall's personal film, "The Apostle", where Shaver played a recovering alcoholic and born again Christian. Not a far stretch from Billy Joe's own experience.

Billy Joe Shaver called me from a hotel room in Dallas where he, Duvall, and Luciana Pedraza, an Argentina filmmaker, were screening their new documentary "Portrait of Billy Joe." It was on the set of "The Apostle" where Pedraza listened to the stories Shaver was telling off camera. She was so intrigued she started shooting video and dug deeper into the life of the Texas songwriter.

What she unearthed was hard to believe. Billy Joe Shaver was married three times; each time to Brenda Tindell, a Waco hairdresser. He's written some of the greatest songs in music, yet never received a single award for them. He lost three fingers and nearly his whole arm in a sawmill accident in Waco before truly learning to play guitar. Two years ago he had a heart attack on stage at Gruene Hall. The doctor said his heart grew a fifth artery allowing him to live.

His father left home the day he was born. His mother left two weeks later. His grandmother raised him in Corsicana until she passed away when he was 12.

In 1999, his mother died of cancer. Two months later, his wife died of the same disease. Shortly after he stood in a small church in Austin called the "Promised Land". After the sermon was finished the minister asked him what he loved most in this world. Billy Joe replied, "My son, Eddy." The minister looked at Eddy and asked the same question. Eddy replied, "My father, Billy Joe." Six weeks later Eddy died in a motel room on New Year's Eve in Waco.

I watch the mega-stars on television and listen to them sing songs with no connection to their own lives. Billy Joe Shaver never fit in with this group. He was too busy drowning in the tragedy of life.

He had a rough childhood filled with emotional bouts and schoolyard fistfights. An elderly English teacher threw out the first life preserver. He explained, "She read a poem I wrote called "Space". She told me things were going to get tough in life, but I had something I should always fall back on. She said it was a gift. It was the first time anyone ever paid me any attention. I put her words in my heart. Those words were the reason I went to Nashville."

He set out on the back of a cantaloupe truck. In the same fashion Kris Kristofferson landed a helicopter in Johnny Cash's front yard to get his songs over, Billy Joe crashed a motorcycle into Harlan Howard's front door. It worked. Howard liked his songs and it led to a publishing deal with Bobby Bare.

One night in Dripping Springs, Texas an unknown Shaver played a song in front of Waylon Jennings. Waylon jokingly said, "One day I'm gonna record an entire record of your songs." Shaver took the promise to heart. He stalked Waylon for 6 months before busting through the doors of RCA studios in Nashville to confront Jennings. He gave Waylon two choices. Listen to his songs or fight him.

Jennings opted to listen. In 1973 Waylon recorded the album, "Honky Tonk Heroes" and nine of the ten songs were penned by Billy Joe Shaver. The record made Jennings a star, and it remains to this day one of the most pivotal recordings in music history.

But the songs weren't contrived or formulated for the success they brought Waylon. They were mere observations from a bar brawling Texan who remembered everything he had experienced growing up in the Lone Star state.

Billy Joe described, "I snuck out of my grandmother's house barefoot one night in Corsicana when I was a little kid. I walked 5 miles down a railroad track into downtown to the back of the old Wonder Bread building. Homer and Jethro were playing music on the loading dock. All of the people were down below smoking and drinking. I shimmied up a pole so I could see. They called a young man up to play guitar and sing a song. The crowd turned away because they didn't know who he was. I got down and walked right up in front of him. It turned out the man everyone ignored was Hank Williams. Suddenly, I knew what I wanted to do with the rest of my life."

As a teenager Billy Joe was coerced by a friend to enlist in the service. His friend never signed up and Shaver found himself alone boarding a plane for California and Naval basic training. By strange coincidence, Elvis Presley was on the same flight. Shaver shook his hand but was too nervous to speak. Years later Presley recorded one of Billy Joe's songs called, "You asked Me To".

Shaver said these acknowledgments mean more to him than any award ever could. He admits when Waylon, Willie, Bob Dylan, or George Jones records one of my songs, "Those are my Grammys."

But despite success from songs recorded by others, Billy Joe ended up broke during the mid-eighties from bad publishing deals and bad habits. He returned to Texas and discovered his son Eddy was a guitar prodigy. They rekindled their relationship and began making music together. Their 93' release, "Tramp on Your Street", was considered one of the year's best. In all they collaborated on nine records.

Songs like "Live Forever", "The Earth Rolls On", and "Star in My Heart" proved that Billy Joe still had the gift which sounded even better with the accompaniment of his son.

Last month Billy Joe made good on a promise he made to Eddy. He finished "Billy and the Kid", a record they had started before his son's unexpected death. The opening track "Fame" is a soft acoustic song questioning the point of stardom, something Shaver claims is a dream long gone for him. At the close he sadly professes his longing for his son and his love for his late wife.

Listening to the album, I detect one big difference between the tragedy of Billy Joe Shaver and that of Duvall's film character, Mac Sledge. Billy Joe Shaver has nothing left but his music and his faith.

One of the final scenes in "Tender Mercies" involves Duvall tilling a garden where he vents his sorrow and frustration to his wife. He recounts all the tragedies bestowed upon him and he begs God to answer why he allowed all of this to happen. Duvall claimed, "I got no answer to my prayer." It was the defining moment of his performance and it won him the Oscar.

If anyone deserved to have the same prayer answered it would be Billy Joe Shaver. But somehow Shaver doesn't leave me as empty as Duvall's film does. His new song "Window Rock" is about a night he spent with Dickey Betts of the Allman Brothers. There are a couple of verses that seem to shed some light. He sings, "God, only knows why I'm still living/ Jesus Christ is where it's at/ the spirit tapped me on the shoulder/ and he handed me my hat."

I told him I thought it meant God wasn't ready for him and maybe he was supposed to fall back on his gift of writing like his English teacher told him long ago. Shaver said he never intentionally thought about the symbolism, and then he laughingly revealed, "The truth was Betts lured me into this Indian ritual. The leader started giving me a hard time about a cross around my neck. It made me so mad I told Betts I was either leaving or gonna fight the Indian. Betts said you can't leave; we have to stay until sunrise. The Indian came over and handed me my hat. So I went outside and laid down in the back of a truck and happily gazed at the stars all night."

Billy Joe Shaver can talk about tragedy in one breath and then somehow change your tears to laughter with the next. We both recalled a billboard that used to sit on the side of the interstate in Ennis, Texas. It showed a sunrise and a cross with the words "Jesus Saves" above it. You can see it in "Tender Mercies" in a scene where Duvall drives his truck underneath it.

We both agreed it served as a compass for anyone who traveled the highway between Dallas and Corsicana during the 80's. We were both amazed the sign stood for over twenty years. Billy Joe Shaver, the outlaw, ended his conversation with me in a way I did not expect. He asked me to tell my wife he was sorry for calling so late.

I guess it shouldn't have surprised me. He began the apologies when my wife first answered the phone. He confessed missing my first call when his cell phone went off during a live television show in Dallas. "They got mad at me but I was more embarrassed for forgetting about our interview."

His genuine personality led me to one conclusion. Billy Joe Shaver doesn't need to be a star. He's had one inside his heart all along. It grows bigger when times get really tough.


Matt Webb, an Austin based author, interviewed Billy Joe Shaver on October 12.

 

 

Photo Caption
Billy Joe Shaver plays Saturday, November 13 at the Greenville Municipal Auditorium. Max Stalling and Jack Ingram will also perform. Music begins at 7:00 p.m.

Ticket Information
Tickets are available at Cavender*s Boot City in Greenville and online at www.frontgatetickets.com. Additional information available at http://www.greenville-texas.com. Advance tickets are now on sale for $15.00, $20.00 and $30.00. Tickets purchased on the day of show are $20.00, $25.00 and $35.00. For more information, call the Main Street Office at (903) 457-3138.

On Sale Now!
frontgatetickets.com

Ticket Locations:

In Dallas, tickets can be purchased at Bill's Records, 8118 Spring Valley,
or at any CD World location

In Greenville, tickets can be purchased at Cavender's, 5201 Wesley Street

Concert Location:
Municipal Auditorium

2821 Washington Street
Downtown Greenville
one block west of Wesley Street

    For concert information call 903-457-3138 or email concert@greenville-texas.com .

 

The KenethThreadgill Concert Series

No alcohol is permitted in the Municipal Auditorium.



Friends of Main Street
3216 Washington Street
Greenville, TX 75401
concert@greenville-texas.com

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